Next Set of ASI120MC Images

Everyone seems to be chasing Jupiter as it heads off towards conjunction, but the lack of clear nights is not giving me much practice with this camera and time is running out. This set of images is better than the last I think, but I still feel that I’ve not really got to grips with the new camera. I think it’s making hard work of the (relatively) small aperture of the 127 Mak. I’ve since read that this camera may need a fairly full histogram to image well, so that’s something to work on next time.

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My First Star Trails Shot

A bit of a disaster this, for all sorts of reasons…

I had to abandon half my subs for the final image because of heavy dew that had frozen on the camera lens. Because I was worried about the dew I’d bodged up an extra large dew shield for the lens, but it drooped and ended up in the field of view. And whilst I was fitting the dew shield I must have messed up the focus setting.

So, lots to work on for next time. And time to make up a dew heater for the camera lens I think. I am currently (Hah! See what I did there?) looking up specs and prices for nichrome wire.

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Garden Visitors

My daughter wanted to photograph some birds for her wildlife club at school and had been trying with a compact camera but not had a huge amount of luck. To make things a bit easier for her I set up the 450D with the 200mm lens outside one of the windows and ran the remote release back inside where she could sit without the birds being startled by her. I think the results aren’t too bad.

Robin


Blue Tit


Long Tailed Tit


Coal Tit


Bullfinch

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New Toy in the Workshop

I’ve been wanting to learn to use one of these for ages and of late it would have been a benefit in a number of projects to be able to create small metal parts, so my Christmas present to myself this year was a (second hand) lathe. It’s a Chester Conquest Super that was apparently bought by someone five or six years ago and then for various reasons never even made it out of the crate. The owner sold it to someone else who used it for a couple of weeks to turn a couple of parts and I bought it from him. I had to replace the sensor for the motor speed readout and the cross slide DRO needed a new battery, but otherwise it’s pretty much “as new”.

Unfortunately it then took me ages to build a new bench for it all to stand on, but I completed that a couple of weeks back and here it is installed:

I’m now busy reading Sparey, Tubal Cain and others whilst assembling a load of scrap metal to practice turning on…

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Auriga and Cancer Wide Field images

The Messier objects in Auriga were some of the first I ever saw through a telescope and it took me ages to find them with my ST80, so I’ve been itching to get a nice wide field view of them for some time. This is a stack of four minute exposures from my Canon 450D with the kit EF-S 18-55mm lens at about 36mm focal length, combined with darks.

This is the full frame. A tighter crop of M36, M37 and M38 is in the Wide Field images section.

The Beehive cluster in Cancer is another of my favourites, but there’s also a bonus of M67 in the bottom of the frame in this one. Same camera as above, but with the 50mm f/1.8 “nifty fifty” lens. Unfortunately the Moon got in on the act with this one and it’s just not as dark as I’d like.

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First ASI120MC images

A montage of images from my first decent run out with the ASI120MC (in the 127 Mak). Clearly I was a bit heavy-handed with the gain and the equatorial belt is a little burnt out, but ok for an unfamiliar camera I think. The colour is a bit better controlled in the last (bottom right) one, but it seems quite easy to get a “washed out” image. More work required…

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The Meme Must Die

I can’t claim not to have repeated this one a few times myself in the past, but I know better now and I’m seeing it regurgitated so often that it’s time to make a stand. Much of my knowledge of astronomy comes from books or the little people who live inside my computer and type all that information into my web browser. How they all fit in that little box on my desktop I’ll never know, but the problem is that sometimes they’re just wrong. This particular meme is one I picked up when I started imaging and caused me a great deal of confusion. I wish I’d never heard it and I’d like people to stop repeating it.

It is said that when “imaging with a webcam the image size is like that of a 6mm eyepiece”. People naturally extend this to calculate the magnification in an image. Seems a logical thing to do. But it is wrong. Not only wrong, but confusing and unhelpful and prevents people getting a better understanding of what they’re actually doing. I think the idea arose as an illustration of the field of view of a webcam as compared to an eyepiece, but is that a 6mm 100 degree field-of-view Ethos, or a 6mm 45 degree field-of-view BGO?

Let’s assume for the sake of argument that using a webcam in my telescope does give a specific magnification (focal length divided by 6mm). If that webcam has 5.6μm pixels I might eventually produce an image of Jupiter that is, for the sake of argument, 200 pixels across. Swapping the webcam for one with 3.75μm pixels but otherwise leaving the optical train alone, I can now get an image of Jupiter about 300 pixels across. What does it mean to say these two images have any given magnification? Display them on the screen and they’re different sizes. Display them on different size monitors with different resolutions and the 200 pixel wide one might appear larger than the 300 pixel wide one. Not only that, but magnification compared to what, exactly? To speak about magnification in such circumstances is utterly meaningless.

In a similar way to how we think about maps, what needs to be considered with imaging is scale and perhaps to a lesser extent when you’re talking to people about images though it’s important to the imager, resolution.

The image scale is dependent on the effective focal length of the optical train. Dividing the effective focal length (in millimetres, say) into 57.3, 3438 or 206265 gives you the number of degrees, arcminutes or arcseconds respectively of the sky that are represented per linear millimetre at the focal plane — where your camera sensor is. Just like the scale on a map tells you how much a distance on the ground relates to a specific distance on the map.

Resolution corresponds to how much detail there is on the map, but is a little more complex when it comes to imaging. There are two main factors affecting resolution when imaging. The first is aperture. The more aperture you have, the greater the resolution of the telescope. The second is the pixel size of the camera. The smaller the pixel size the smaller the details you can record with the camera. But there’s a balancing act to be done here. If the telescope can only resolve details down to a given size there’s no point having a camera that can resolve huge amounts more. And if the camera can only resolve details of a given size then it’s not going to resolve any more detail no matter what aperture scope you put it in. This isn’t the whole story. For a start the seeing limits the resolution too and our Swedish friend Mr Nyquist will want to jam his sampling theorem in the works, but for the our current purposes they’re not a major consideration. Resolution also depends on the wavelength of light being captured so that complicates things further.

So, if magnification is rubbish what can our new-found knowledge tell us that might be useful? Well, let’s say you’re just starting out imaging with a 127 Mak with a focal length of 1500mm and you’re not using a barlow. The camera is going straight in the back of the telescope. Dividing the focal length into 206265 (I like working in arcseconds for planetary imaging) tells us that there are 137.5 arcseconds of sky per millimetre of camera sensor. As I type, Jupiter is well on his way to a date with opposition and is probably about 45 arcseconds across, so the planet will appear about 1/3rd of a millimetre across on your camera sensor. It doesn’t matter which camera at the moment. That’s how big it will be.

If you’re using a camera with 5.6μm pixels that 1/3rd of a millimetre will be about 59 pixels. Jupiter is around 143,000km in diameter, so ignoring the curvature of the planet each pixel represents about 2,500km across the face of Jupiter. On the other hand, if your camera has 3.75μm pixels then the image will be about 87 pixels across and each one will correspond to just over 1,638km.

What’s more, this information allows you to display the image on a monitor or print it out on paper and you know know exactly what you’ve got. You can say to someone “One pixel in the image is X km”, or “One millimetre of that picture is Y km”. And it doesn’t matter how big or small the picture actually is.

So please, let’s forget this whole 6mm eyepiece thing right here right now. Never speak of it again. Or may all your future telescopes be liquidated Jessops stock.

The Meme Must Die.

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Examples of DSLR Exposure Times for Lunar Imaging

I was struggling a few days ago with some images I’d taken of the Moon because they looked really poor after stacking and sharpening. I’d been experimenting, trying to get a better histogram fill for the images by increasing the exposure time, but instead I was getting “double vision” images with ghosting of many features. Eventually I realised that the reason the images looked awful was that the exposure was too long and the atmosphere was distorting subs sufficiently that several different copies of the same features were showing up in the stack.

Last night I deliberately repeated the process using exposures of 1/500th, 1/1000th and 1/1250th all at ISO800 with the 450D and 127 Mak. I took 120 exposures of each, stacked them using the same parameters in Registax v6 having picked the best reference frame I could and then applied the same wavelets settings to each. During the time I captured the images there was no obvious change in the seeing that I could determine. I’ve taken some crops to illustrate the differences.

First, 1/500th

And 1/1000th:

And finally, 1/1250th:

There’s a world of difference between the 1/500th second and 1/1000th second images which quite surprised me. Clearly 1/1000th is the better choice of the two there. By 1/1250th however I think the ISO setting is insufficient to make up for the faster shutter speed and whilst they’re very similar I think I’d say there’s slightly better definition in the 1/1000th image and for the moment at least I think that’s what I shall be working with for my lunar images.

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Mounting a DSLR on a Telescope Mount

Someone was asking how they could mount their DSLR on a telescope mount such as an EQ3-2 or EQ5. I do this for my wide field images. Here’s how.

I have a short dovetail (about 15cm) to which I have mounted a Kood BH-05BQ ball-head camera mount using a standard 1/4″ UNC bolt as used for camera tripods. This ball-head mount has a quick release plate that I leave fixed to the camera. The dovetail clamps into the saddle of my EQ3-2 and then I just have to clip the camera into the QR mechanism. Using the ball-head makes for easier framing of shots than having to adjust the RA and DEC on the mount.

This is what the ball-head looks like on the dovetail:

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New Kid on the Block: The ASI120MC

I’ve been pondering on a dedicated planetary imaging camera for a while. The SPC900 is exceptionally good for what it is, especially as I paid only £5 for mine, but being USB1 the frame rate is limited to 10 fps which means it’s not that great at “beating the seeing”. The usual choice is the DFK21.618, but the price and the fact that Imaging Source acknowledge that the firmware has bugs but they don’t intend to fix them put me off.

A few people have been trying out the ASI120MC from ZW Optical and are getting very good results, so I thought I’d give it a try. I’ll do a separate “unboxing and first thoughts” post, but from a cloud-dodging night of poor seeing, here are a couple of shots to compare the SPC900 and ASI120MC. Neither at their best, particularly as I’ve really not got to grips with the new camera.

First three frames from the SPC900:

And three from the ASI120MC. No idea where the boxes came from, but they’re some sort of artefact introduced in the processing:

I’d certainly hesitate to say that the new camera is clearly better at this juncture, but it definitely looks promising.

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